We haven’t seen as many films this year as we usually do. But one of our favorites, either our #1 or #2 pick for the year, is The Queen (directed, and brilliantly so, by Stephen Frears).
Here’s a decent plot summary:
In late August 1997, just as Prime Minister Tony Blair was moving into 10 Downing Street, Princess Diana died in a Paris car wreck. England went into traumatized mourning deeper than anyone could have predicted, while the royal family — Diana’s estranged former inlaws — offered no public reaction at all.
As resentment toward the royal cold shoulder built into a monarchical crisis of public opinion, young Mr. Blair [attempts to intervene] with the Queen, [urging] the House of Windsor [to make] a public demonstration of something like humanity.
But Queen Elizabeth II (Helen Mirren) resists Blair’s call for a more public show of empathy. She is a deeply traditional woman, and as far as she’s concerned, Diana’s death is a “private matter” — since Diana, divorced from Prince Charles some time ago, was no longer a “royal” or “HRH” at the time of her death.
The Queen’s commitment to tradition makes her tone deaf on the public relations front. She does not know how to navigate the complex and challenging world of the modern mass media. The Queen fails to see the crisis in confidence that is looming — a crisis that threatens the institution of the monarchy, which she loves above all.
What we must now ask is:
Is H. Rodgin Cohen, the chairman of Sullivan & Cromwell, the Biglaw version of “The Queen”?
Our reflections on this question, after the jump.
As we mentioned
Well before 
As we 



'[Bleep] With Me And You Will Have A Huge [Bleep]hole,' Warns Biglaw Partner
Lawyerly Lairs: The Five Most Expensive Attorney Abodes in Washington, D.C.
Lawyerly Lairs: Dewey Know What Steven Davis's Office Looks Like?
Dewey Have Cause for Rejoicing? Some Strange and Humorous Reactions to a Law Firm's Fall
Lawyerly Lairs: Capital Homes in the Capital