Movies

Those working in the Biglaw world may think they’re living lifestyles of the rich and famous, but their prestige pales dramatically when compared to those working in the glittery world of Hollywood glamour. Let’s face the facts: rainmaking aside, being a behind-the-scenes ERISA or tax practitioner is nowhere near as fabulous as keeping Lindsay Lohan out of jail. Representing celebrity clients will catapult your name into the news and turn your practice into a household topic of conversation.

Those behind the entertainment law bar have worked with some of the most celebrated (and sometimes reviled) clients in the country, and in most cases, the world. Obviously, there should be some sort of a ranking to evaluate the top talent from this Hollywood throng of attorneys.

Luckily, the Hollywood Reporter has been in the rankings game for seven years, and this year’s list is no less entertaining than last year’s. Let’s check out the newly released list of the entertainment industry’s top 100 “power lawyers,” which we’ve dubbed the Hollywood 100….

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Ed. note: This is the latest installment of The ATL Interrogatories. This recurring feature will give notable law firm partners an opportunity to share insights and experiences about the legal profession and careers in law, as well as about their firms and themselves.

Larren Nashelsky is the chair of Morrison & Foerster. Prior to becoming chair, Mr. Nashelsky focused his practice on U.S. and international restructurings, including Chapter 11 reorganizations, workouts, restructurings, secured financings and distressed acquisitions and investments. Larren is a graduate of Hofstra University School of Law.

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* Professor Alfred Brophy wonders if The Great Gatsby (affiliate link) provides an early preview of product placement. In any event, I’m willing to bet the new movie will provide a stellar latter day view of product placement. [The Faculty Lounge]

* Brooklyn Law School will begin offering a two-year JD program. This makes too much sense. [Brooklyn Law School]

* Former Dora the Explorer star rebuffed in effort to unwind settlement, in part over claims that she overpaid for her lawyer. He charged $755/hour plus a 37.5% “success fee.” [UPDATE: According to her former lawyer, the hourly rate was replaced by the contingency fee arrangement.] This is the sort of thing that happens if a monkey is your most trusted confidant. [Hollywood Reporter]

* Oreck files for bankruptcy. Not Orrick, Oreck. They make vacuum cleaners that suck. Figuratively. [USA Today]

* Urinating on police stations? Detroit sounds like such a charming place. [Legal Juice]

* If you don’t mind spoilers, here are the answers to all your Iron Man 3 legal queries. Not answered: why was the post-credits scene so lame? [Law and the Multiverse]

* While created for short-sighted criminal defendants, this applies equally to the hubris of civil defendants who are just SURE they’re going to win. [What the Public Defender?]

* Caroline Kennedy just paid up her lapsed bar admission. Just in time for a Senate confirmation hearing… you know if she were to get nominated for something. [WiseLawNY]

Ed. note: This is the latest installment of The ATL Interrogatories. This recurring feature will give a notable law firm partner an opportunity to share insights and experiences about the legal profession and careers in law, as well as about their firms and themselves.

Richard Wiley is the nation’s preeminent communications lawyer. He served as chairman of the Federal Communications Commission, where he fostered increased competition and lessened regulation in the communications field. Mr. Wiley played a pivotal role in the development of HDTV in this country, serving for nine years as Chairman of the FCC’s Advisory Committee on Advanced Television Service. As head of the firm’s communications practice group (the largest in the nation), his clients include Verizon, AT&T, JP Morgan, Credit Suisse, Motorola, and CBS. Mr. Wiley is a graduate of Northwestern Law and holds an LLM from Georgetown.

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Ed. note: This post appears courtesy of our friends at Techdirt. We’ll be sharing law-related posts from Techdirt from time to time in these pages.

Michael Carusi points us to the news that Warner Bros., MGM and Universal Studios have agreed to pull nearly 2,000 films from Netflix’s library, in order to put them in the Warner Bros. Instant Archive. You may recall that Warner recently launched this archive, which is an incredibly overpriced and ridiculously limited offering. Apparently, they’re trying to bolster the offering in part by hurting Netflix. As we’ve warned, this sort of fragmentation does little to help anyone…

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* The saddest thing about prisons getting rated on Yelp is owning the bar down the street with fewer stars. [Simple Justice]

* Sending “LOL totes glty” is a bad idea. [IT-Lex]

* The chief of the Brooklyn DA’s gang bureau probably should have spent more time with the civil rights bureau. [NY Post]

* People don’t really pay attention to the U.S. News Best Intellectual Property Program rankings — though it’d help if they did. [Science to Law]

* UNLV’s Nancy Rapoport thinks law schools are no better than Enron. That sounds about right. [TaxProf Blog]

* When it comes to the Boston bombings, Logan Beirne answers, “What would George Washington do?” [Reuters]

* Tenure has put a crimp in the ability of law schools to excel in the ranking system that considers publication. [Ramblings on Appeal]

* Kickstarter plug: A progressive Yale student took a year off to make a documentary about a conservative activist group, the Tennessee 9-12 Project, to show civility and respect. [Kickstarter]

That’s leading man material, right there!

Garth Brooks had disappeared from the national radar for a bit. For those who missed out on the turn of the 21st century career of the popular crossover country artist, imagine Taylor Swift, but a guy, and capable of going 10 minutes without complaining about dating.

Well, the allegations of a new lawsuit against Brooks brought by his former business partner may shed some light on the fading of the country artist’s fortunes. The complaint alleges rank arrogance on the part of a singer who thought he deserved film stardom and couldn’t lower himself to star in a Spielberg film….

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Ed. note: This is the latest installment of The ATL Interrogatories, a recurring feature that gives notable law firm partners an opportunity to share insights and experiences about the legal profession and careers in law, as well as information about their firms and themselves.

What do Bob Dylan, Jerry Seinfeld, and Facebook have in common? Orin Snyder is their attorney. Orin is a litigation partner in Gibson Dunn’s New York office, and serves as Vice-Chair of the Crisis Management Practice Group and Co-Chair of the Media, Entertainment, and Technology Practice Group. He is also a member of the White Collar Defense and Investigations, Appellate, and Intellectual Property Practice Groups.

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Judge Patty Shwartz

* Congratulations to Judge Patty Shwartz on her confirmation to the Third Circuit. She will be sorely missed in the District Court — especially by Judge Hochberg. [People for the American Way]

* And congrats to another alum of my former office, Michael Martinez, who just joined Mayer Brown as a litigation partner. [Mayer Brown]

* “Sometimes the women partners make jokes about men. He forces himself to laugh at the jokes like he doesn’t care, and in the beginning he didn’t care….” [Ms. JD]

* Speaking of objectification, you’ve waited years for this: “The Cast of 12 Angry Men in Order of Hotness.” [The Awl]

* Uganda hates gays, and now they hate miniskirts. God only knows what they’d do to gays in miniskirts. [WSJ Law Blog]

* Two things our readers love: compensation porn and rankings. Which universities pay the highest faculty salaries? [TaxProf Blog]

* Another Yale Law School graduate turned writer: congrats to Steph Cha, whose new novel, Follow Her Home (affiliate link), just got a favorable review in the Los Angeles Times. [Los Angeles Times]

Roger Ebert passed away last week, robbing us of a great film critic and an equally insightful social critic. Ebert loved the movies and his critical ire was only raised when films failed to live up to the standards he’d set in his own mind.

But one genre of film seemed to give Ebert consistent fits — the legal movie. From drama to comedy, if the film found its way into a courtroom, Ebert was likely on the wrong side of public opinion. As a tribute to the critic, we’ve gathered some of his reviews to pass final verdict on Ebert’s understanding of the legal genre….

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