Theater

Non-Sequiturs: 02.14.11

* The anatomy of Courtship Connections. Kash explains why it’s so difficult to set lawyers up with each other. [Forbes]

* Alan Dershowitz and Julian Assange make a love connection. [Politico]

* Does compassion really have any place in the law? [Underdog]

* Many of the lonely among you will be drinking heavily tonight. That’s okay. We’ll deal with your alcoholism once Hallmark leaves you alone. [Lawyerist]

* Let’s hope ABA President-Elect Nominee Laurel Bellows shows law students some love. [ABA Journal]

* No love for social media experts in this week’s Blawg Review. [My Law License via Blawg Review]

* And in case you missed it, the Saturday Night Live cast tips us off on a hot new legal practice area — after the jump….

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It’s like Formula One. You want to see the car crash. We like to go to Rockefeller Center to watch the ice-skaters fall.

Carol Barbeiro, a lawyer, on why she went to see Spider-Man: Turn Off the Dark, the ill-fated, accident-prone Broadway musical. (Her boyfriend added: “She wants to see blood.”)

Alas, Justice Ginsburg wasn’t spotted slurping down noodles at Tony Cheng’s. Rather, Her Honor was in D.C.’s Chinatown for a theater performance, which is more her speed. (She also loves the opera, of course.)

The Eyes of the Law celebrity sighting took place on Friday evening. Our eyewitness reports:

RBG spotted at the theater! It was opening night of the Shakespeare Theatre Company’s “Free for All” production of Twelfth Night at Sidney Harman Hall (yes, as in Rep. Jane Harman’s husband), across from the Verizon Center in D.C’s Chinatown.

The “Free for All” is an annual event in which the Company puts on a free Shakespeare show for Washington for a couple weeks in the summer.

Free theater is nice and all, but Justice Ginsburg doesn’t need handouts. She and her late husband, Martin Ginsburg, revealed assets worth as much as $45 million at the time of her most recent financial disclosure.

So, did our correspondent get to chat with Justice Ginsburg?

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David Mamet Race Kerry Washington James Spader.jpgYour Above the Law editors spent Sunday afternoon watching a group of talented players in a high-stakes battle. A veteran of the field locked horns with a newcomer.
No, we’re not talking about the Vikings-Saints game. We saw James Spader, David Alan Grier and Kerry Washington play lawyers in a matinee performance of David Mamet’s Race, which opened on Broadway last month.
Spader and Grier play Jack Lawson and Henry Brown, the name partners of Lawson & Brown, a high-profile criminal defense firm. Kerry Washington plays Susan, a fresh-from-law-school associate who is new to the firm. A powerful and rich white man accused of raping a black woman drops by, hoping to have the firm take his case.
The short play — it has two acts, but comes in at under two hours — takes place in the firm’s war room, a conference room lined with books that will look familiar to ATL readers. The Lawson & Brown attorneys discuss whether to take the case and what their strategy should be.
Obviously, we think the legal world is an exciting place, and we are always thrilled to see lawyers get dramatic treatment. Unless the treatment is terrible.
This treatment was impressive. Perhaps it helped to have two lawyers, Peggy Hill and Georgetown law professor Nicholas Quinn Rosenkranz (Lat’s law school classmate), as producers.
Check out our reviews, after the jump.

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Antonin Scalia Justice Ruth Bader Ginsburg.jpgDespite their ideological differences, Justices Antonin Scalia and Ruth Bader Ginsburg bond over their shared love for the opera. Both judicial luminaries attended Saturday’s opening night performance of Ariadne auf Naxos, at the Washington National Opera. If you’re into Article III celebrity sightings, the D.C. opera house is where it’s at.
Not only did the justices attend the opera; they also participated. An eyewitness evaluation of their performances, plus a photo of Justice Scalia with a sexy soprano in his lap, after the jump.

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summer associate program ATL Above the Law blog.jpgThis year’s batch of summer associates are roughing it at Biglaw summer camp, with fewer meals out on the firm and less lavish events. To make matters worse, some summers are being told now that their future job will be deferred. Summer associates at Skadden and Ropes & Gray have been informed that they can’t come back to the camping ground until 2011. Tents can’t be repitched at Orrick until 2012.

This seems like a good time to focus on the light side of the summer associate experience. For the past month, we’ve been soliciting entries for our Summer Associate Event Contest of 2009. They came trickling in slowly, whether because there aren’t many events to brag about or because summer associates are too busy (or too scared) to email us. One SA was so fearful of “tipping” us that the announcement about the firm’s event was sent anonymously via snail mail. [FN1]

One ATL reader from a small firm had this to say about the environment at firms this summer:

Our firm does a lot of corporate bankruptcy work, so we’re faring better in this economic storm than most, but we had to scale back our summer associate program a bit. We do not have as many summer associates as we used to, and we are not having as many major, expensive events. No more big-ticket concerts; no more dinner theater on a river boat; no more renting out an entire movie theater for a pre-release movie showing….

Certainly, the difficulties of this economy are showing in the makeup of our summer class: because we have a summer program at all (unlike many law firms), we’re getting students from higher ranked schools. Most of them are from Top 20 law schools, all of them from Top 75 law schools, none of them from the fourth-tier local law school that usually supplies some of our summer class. And our summer associates are noticeably more stressed about the experience and their prospects than I’ve seen in the past 10 summers.

Despite the foregoing, we have a nice selection of events for the contest. We ask you to vote on the best one, plus offer a few honorable mentions (for events involving public urination and broken bones), after the jump.

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perfectUnion.jpgYour ATL editors kicked off the Memorial Day weekend with a trip to the East 13th Street Theater in Manhattan, where we saw A More Perfect Union, presented by the Epic Theater Ensemble. The play, by Canadian playwright Vern Thiessen, is about two members of The Elect — i.e., two Supreme Court clerks, who fall in love while clerking at the U.S. Supreme Court. Maddie, a white Jewish woman from Ohio, clerks for a fictional conservative justice called “The Wise One”; James, an African-American man from Georgia, clerks for a fictional liberal justice called “The Enlightened One.”
Like the night we spent reviewing Law Revue videos, there were highlights and low points. A big highlight was a post-play discussion featuring former New York Times Supreme Court reporter Linda Greenhouse. As you know, we are what some might call Greenhouse groupies, though she was not as excited to talk to us as we were to talk to her. We just got a little handshake, a “nice to see you,” and an introduction to her daughter.
The post-show discussion also included professors Elizabeth Emens and Susan Sturm, both of Columbia Law School. Professor Sturm mentioned being a law school classmate of SCOTUS nominee Sonia Sotomayor, whom she described as “a straightforward person, who doesn’t hide from her background or make decisions based on it.” She also defended Judge Sotomayor’s Berkeley remarks about personal experience informing a judge’s jurisprudence, noting that Justice Ruth Bader Ginsburg basically said as much in discussing the recent strip search case before the Court (noting that her colleagues, who seemed less sensitive to the plaintiff’s plight, “have never been a 13-year-old girl”).
Obviously, we think the legal world is an exciting place, and we are always thrilled to see the courts get dramatic treatments. But our standards for fictional treatment of the courts, and especially the Court, are high.
Check out our reviews, after the jump.

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Laurence Fishburne Thurgood Marshall Broadway Booth theatre theater.jpgIf you’re in New York today (Sunday) and looking for something to do in the afternoon, consider checking out Thurgood. It’s a one-man show about the life of Justice Thurgood Marshall (1908-1993), starring Laurence Fishburne (best known as Morpheus of The Matrix, but with a long list of other film and theater credits).
It’s an entertaining and educational production, and Laurence Fishburne turns in a superb performance. As one friend of ours, an ex-theater major, put it, “Fishburne was able to make the audience forget that this is a one-man show.”
As one might expect from a play based on the life of a heroic historical figure, Thurgood occasionally verges on the pedantic and preachy (“one person can make a difference”; “we know how far we’ve come — but we also know how far we still have to go”). Law nerds might find feel patronized by the more expository parts of the play, like the mini-reviews of Plessy v. Ferguson and Brown v. Board of Education. You can often sense the “message” button being pushed.
But hey, everyone needs a refresher course every now and then. And there are enough interesting bits of biographical trivia — as well as ample entertainment, in the form of humorous anecdotes from Marshall’s life, well-told by Fishburne — to make you forgive the more didactic or heavy-handed elements.
If you’d like to see Thurgood, you need to act fast; it’s closing today. The 3 p.m. matinee is the final performance. You can probably get discounted tickets at the TKTS booth (since Thurgood was there last week, and there were definitely a few empty seats at the performance we attended yesterday).
Additional thoughts — if you’re planning on seeing the play, save these for later, so you can form your own opinions free of taint — after the jump.

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