Feminism, Gender, Litigators, Litigatrix, Movies, Television

Farewell, Ally McBeal; Enter the Litigatrix

Tilda Swinton Karen Crowder Ally McBeal Calista Flockhart.jpgThat’s the title of our latest column for the New York Observer, which reflects upon recent television and film portrayals of women litigators.
It touches upon some of the same themes highlighted in Amy Kolz’s excellent American Lawyer article from last year, but it’s more focused on fictional female litigators, as opposed to real-life ones. Here’s how it starts:

Whatever happened to Ally McBeal? If recent movies and television shows are any guide, the life of a female lawyer has gotten a lot less pleasant since the carefree, charmingly neurotic days of dancing babies and bathroom kisses. But today’s portrayals may be more accurate, and certainly more critically acclaimed.

Last January, Glenn Close won a Golden Globe for her compelling performance as Patty Hewes, a fearsome and wildly successful plaintiff’s lawyer, on the addictive TV show Damages. The following month, Tilda Swinton snagged an Oscar for stepping into the pumps of Karen Crowder, a hard-charging in-house litigator, in Michael Clayton.

In March, Julianna Margulies (of ER) returned to television as aggressive defense lawyer Elizabeth Canterbury, the title character of Canterbury’s Law. Even Katey Sagal, who embodied the famously vulgar Peggy Bundy on Married With Children, reincarnated herself this year as Marci Klein, the sleek, powerful, and ruthless founding partner of the law firm on Eli Stone.

You can read the full column over here.
Farewell, Ally McBeal; Enter the Litigatrix [New York Observer]

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